\u2018I do love a girl but I\u00a0will\u00a0speak little of her for\u00a0my mind would overflow with tenderness\u2019<\/em><\/p>\nI saw a film of computer generated explosion at a VFX company and when I slowed it down and played it backwards and forwards it looked poetic to me like a painting. I decided to paint it.<\/p>\n
Some time later I was doing yoga and relaxing after practise and our French teacher was talking about yogic Buddhist philosophy. There are three Gods all equally important. Brahma as creator, Vishnu as preserver or protector, and Shiva as destroyer\/transformer the God\u00a0of destruction thats when the image of the explosion appeared to me in colours. At the highest level, Shiva is regarded as limitless, transcendent, unchanging and formless.<\/p>\n
I needed to paint the artificially generated explosion first to make it real \u2013 because it turns it into something else. It is originally a shadow of something. By that I mean it is a fabricated image or sequence of images of an explosion made by man \u2013 generated with non existent particles by software on a computer. It doesn\u2019t happen in reality. When I paint it, it does \u2018happen\u2019, It\u2019s organic and the process of physically making it removes it from a thing that doesn\u2019t actually exist to one\u00a0that does. The irony is, it is an artistic image of something that is ceasing to exist that will exist forever.<\/p>\n
After the original oil painting comes the hand finished coloured\u00a0works.<\/p>\n
If it goes into blackness in a square it\u2019s more about ephemerality of life.<\/p>\n
The final diamond dust is the result of the following process:<\/p>\n
I paint an artificial digital image of an explosion created with a particle system. The original oil painting is scanned then I alter it digitally and colour it. This altered image is then printed and if is on canvas I paint over it. Then diamond dust is applied on top.<\/p>\n
I love \u2018Zabriskie Point\u2019 by Antonioni the director of \u2018Blow Up\u2019. It ends in explosions and it\u00a0influenced this series too.<\/p>\n
I suppose you could say that \u2018Jouissance\u2019 is an image of an intellectual conception of cosmic order.<\/p>\n
It\u2019s about the elements and it is\u00a0a Vanitas symbol. The explosion as a symbol or motif could be seen as the logical conclusion of artists fascination over the centuries with \u2018De Natura\u2019, \u2018Vanitas\u2019 and \u2018effect\u2019.<\/p>\n
If Velazquez or JMW Turner were around today I think they would be painting\u00a0explosions too.<\/p>\n
My Jouissance\u00a0vision\u00a0conjures up many possibilities : \u00a0celestial sensation, ecstacy, spirit, destruction, ephemerality, a gem stone, orgasm, blossoming flower, fertility and a symbol for the\u00a0release of energy and emotion that is life itself in an instant…<\/p>\n
\u2013 The joy of life. Release of Energy that is life.<\/p>\n
\u2018All that is solid melts into air\u2019 \u2013 Karl Marx<\/p>\n
\u2018Pretty soon I\u2019ll be blown away\u2019 \u2013 Beach Boys<\/p>\n
\u2018I still love explosions to this day\u2019 \u2013 Ginger Baker<\/p>\n
\u2018The free soul is rare, but you know it when you see it \u2026\u2019 \u2013 Bukowski<\/p>\n
‘The very centre of your heart is where life begins, the most beautiful place on earth’ <\/em><\/p>\n– Rumi<\/p>\n
‘One must still have chaos in oneself to be able to give birth to a dancing star’<\/em><\/p>\n– Nietschze<\/p>\n
\u2013 Christian Furr 2015<\/p>\n
\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"‘Furr\u2019s latest series Jouissance was born after viewing an artificially generated explosion in a lab, a visual that remained with him as a conceptual framework. Referencing the spectacular ending of Zabriskie Point, a five-minute sequence of a single explosion, repeated in super slow motion, demonstrates the abstract quality of film itself. Actual objects are transformed… Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"page-leftsidebar.php","meta":[],"_links":{"self":[{"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/pages\/85"}],"collection":[{"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/comments?post=85"}],"version-history":[{"count":57,"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/pages\/85\/revisions"}],"predecessor-version":[{"id":3071,"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/pages\/85\/revisions\/3071"}],"wp:attachment":[{"href":"http:\/\/christianfurr.wallopmedia.com\/site\/wp-json\/wp\/v2\/media?parent=85"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}